Hi everyone, I recently updated the range of bookish tote bags available in my Zazzle store. These would make a great gift for the book lover in your life 😉
All bags priced at €18.90
Hi everyone, I recently updated the range of bookish tote bags available in my Zazzle store. These would make a great gift for the book lover in your life 😉
“At Goodreads, we always encourage our members to read more. But sometimes, the number of books still waiting on your Want to Read shelf can feel a little daunting… So we asked avid readers on Facebook and Twitter if they’ve ever tried a book-buying hiatus: a temporary (and we stress temporary), self-imposed ban from buying more books until they finish the current ones on their to-read list. Needless to say, some reactions were (understandably) strong… ” – Marie, Goodreads
“With the arrival of fall comes a feeling of renewal and self-invention. If you’re looking for inspiration this coming season, we recommend picking up these powerful memoirs written by tenacious and talented women. Check out this list of new inspiring memoirs by women below.” – Ashley Johnson for Bookbub
“Riddles are a time-honored rite of passage for book heroes. As readers, we love how they test the hero’s powers of perception, thinking, and creativity — and how they test ours, too! Feel like a bit of a brain teaser? Try your wits against these tricky riddles from books and see if you have what it takes to be a bookish hero. Scroll to the end to find the answers — but no peeking!” – Elisabeth Delp, Bookbub
“If you’re aching for the ‘80s you can always revisit these classic books, but hindsight can be 20/20, and there is something fun about journeying back through a more contemporary read. Here are a few newer titles that will satisfy your nostalgia needs.” – Ashley Morten, Signature
“Evoking one artistic discipline while using an entirely different one is no easy task. Yet for as long as moving pictures have captivated audiences, they’ve also captivated a certain group of writers, who’ve viewed the existence of cinema as an implicit challenge. Namely, how does one capture the essence of a film using only words on a page?” – Tobias Carrol, Signature
Let me begin by saying I have a fancy camera (Canon 700D) but you do not need one to take good photos. It certainly comes in handy but for beautiful Instagram photos, it isn’t really necessary. Also, I attended a course in photography about 10 years ago so a lot of this comes from what I learnt there.
I also use a tripod but again this isn’t necessary as long as you have good lighting.
I’m going to go through what+ I think about when I take my Instagram photos. From coming up with ideas, composition, lighting, texture, framing, and post-processing.
I always start with trying to come up with some ideas for photos. I used to prowl bookish photographs on Google, Pinterest, and Instagram looking for something to spark an idea. Now it’s always kind of in the back of my mind and then I see something (a flower, a tree, a cup) and think “I really want to photograph that“. After I have some props I want to include in my photos I look up how this item has been used before by others. For example, I have a crystal cake stand so I typed cake stand into Pinterest and found these photos.
So using these photos as a general guide I went out and got some flowers, my cake stand, a stack of books, chose a location in my house with good lighting and got snapping.
Some people like to sketch out their ideas before shooting but I like to work from a very general idea. I usually base my photos around one or two particular items that have caught my attention. It may be something pretty like flowers or something with appealing texture like dried leaves.
This is the absolute most important thing when it comes to taking photos. A camera records light bouncing off of surfaces, no light means no photos. Daylight is best (unless you have a lighting kit but if you have a lighting kit you know more than me about taking photos). I choose a spot in my house close to a window (usually my kitchen) with lots of light coming through. I like directional light because it casts some shadows and gives depth and dimension to the photos. I set up my shoot to have the light coming from the side and don’t use anything to reflect the light. If you wanted more even light you can use something white to reflect the light onto the other side of what you’re photographing. So if your light source is on the left you would place a white sheet on the right.
The light needs to be good to achieve what you want. Middle of the day is perfect but sunset can work well too as long you’re able to achieve what it is you want and see everything clearly.
This is basically setting up all of the props attractively. Placing the main subject in a way that catches the viewers eye then leads them to look around the rest of the photo. The best way to do this is to follow the rule of thirds (that grid you can bring up on your screen when taking photos). This will help you pick a focal point and have lines leading the eye from there to the rest of the picture. Avoid having your focal point in the centre but this does work sometimes. The grid divides your screen into 2 vertical lines and 2 horizontal lines and you want to align your focal point (where you want people to look) along these lines usually at a point where they intersect.
This does not mean that your photos have to be full of straight lines but once you start looking for lines you’ll see them everywhere. They can be diagonal or curved it’s just something that leads the eye from to the focal point to the rest of the image.
In this photo of my engagement ring, your eye is instantly drawn to the ring and then brought out again by the petals of the rose.
This kind of ties in with composition but I want to make a few specific points regarding frame. The idea here is to really fill the frame. When I’m taking photos for Instagram I’m conscious that these photos will become squares so my frame is a square. You need to get close to what you’re photographing so the rest of the area isn’t visible taking attention away from the subject. There should be several interesting elements in the photo but it should never be cluttered and these elements need to enhance the presence of the main subject. I also always change my angle and take several photos of the same scene from different viewpoints.
This is a big one for me when taking photos. I like lots of texture and contrast between items in an image. Books are quite plain so the other elements I add need to give depth and feeling without drawing too much attention away from the main subject. I like to use a sheepskin rug, a piece of hessian or a wooden tray as a base for the still life. Texture is kind of hard to explain but I think of it as something that when I look at it I can imagine how it feels.
And after snapping all those photos they need to get some post-processing. I’ve often heard people say they prefer photos that are unedited but I think this is silly and that these people don’t fully grasp photography. Ye olde film photography has always undergone post-processing it just wasn’t done with a computer. Filters were used in enlargers to change the tone and contrast of the image. Development times in chemicals affected the outcome of the image as well and I’m sure they had plenty of other tricks I know nothing about. Post-processing can mean a simple adjustment to the colour or light levels or a big adjustment to change the style and feel of the image kind of like what I do. I like to give my images a vintage look with a brownish cream colour to them.
I use Adobe Photoshop to process my photos which costs about €25 a month but there are many free alternatives available. GIMP and Pixlr are both really good editors that I have used in the past. Instagram also has editing tools and filters built in.
All photos by me unless otherwise stated.
It’s finally autumn! Time for leggings, dresses, boots and cosy reading wrapped in a blanket by the fire. Autumn is the perfect time to read some classic gothic literature, you may even get some ideas for your Halloween costume from them.
Last night I dreamt I went to Manderley again . . .
The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady’s maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives–presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes horrifying discoveries about his client and his castle. Soon afterwards, a number of disturbing incidents unfold in England: an unmanned ship is wrecked at Whitby; strange puncture marks appear on a young woman’s neck; and the inmate of a lunatic asylum raves about the imminent arrival of his ‘Master’. In the ensuing battle of wits between the sinister Count Dracula and a determined group of adversaries, Bram Stoker created a masterpiece of the horror genre, probing deeply into questions of human identity and sanity, and illuminating dark corners of Victorian sexuality and desire.
This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even “settle down” for a while in the opulent French Quarter. Louis remembers Claudia’s struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.
Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires – a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.
When a mysterious carriage crashes outside their castle home in Styria, Austria, Laura and her father agree to take in its injured passenger, a young woman named Carmilla. Delighted to have some company of her own age, Laura is instantly drawn to Carmilla. But as their friendship grows, Carmilla’s countenance changes and she becomes increasingly secretive and volatile. As Carmilla’s moods shift and change, Laura starts to become ill, experiencing fiendish nightmares, her health deteriorating night after night. It is not until she and her father, increasingly concerned for Laura’s well-being, set out on a trip to discover more about the mysterious Carmilla that the terrifying truth reveals itself.
Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.”
Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine’s father. After Mr Earnshaw’s death, Heathcliff is bullied and humiliated by Catherine’s brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.
Books and Charms is a monthly subscription box of second-hand books and bookish items tailored to your desired genres.
I love that they use second-hand books instead of ARC’s and that it’s an Irish company featuring items from other Irish companies. For years I have been pining for an Irish based book subscription box and it’s finally here!
Each box contains :
The side of my box was damaged, I’m guessing by the delivery company because the tape on the side had their name on it. Otherwise, the box was in good condition and the contents were perfect.
I received two books, tea, a very nice candle, four button badges, a canvas board illustration and a bookmark.
Weaving a brilliant latticework of family legend, loss, and love, Téa Obreht, the youngest of The New Yorker’s twenty best American fiction writers under forty, has spun a timeless novel that will establish her as one of the most vibrant, original authors of her generation.
In a Balkan country mending from years of conflict, Natalia, a young doctor, arrives on a mission of mercy at an orphanage by the sea. By the time she and her lifelong friend Zóra begin to inoculate the children there, she feels age-old superstitions and secrets gathering everywhere around her. Secrets her outwardly cheerful hosts have chosen not to tell her. Secrets involving the strange family digging for something in the surrounding vineyards. Secrets hidden in the landscape itself.
But Natalia is also confronting a private, hurtful mystery of her own: the inexplicable circumstances surrounding her beloved grandfather’s recent death. After telling her grandmother that he was on his way to meet Natalia, he instead set off for a ramshackle settlement none of their family had ever heard of and died there alone. A famed physician, her grandfather must have known that he was too ill to travel. Why he left home becomes a riddle Natalia is compelled to unravel.
Grief struck and searching for clues to her grandfather’s final state of mind, she turns to the stories he told her when she was a child. On their weeklytrips to the zoo he would read to her from a worn copy of Rudyard Kipling’s The Jungle Book, which he carried with him everywhere; later, he told her stories of his own encounters over many years with “the deathless man,” a vagabond who claimed to be immortal and appeared never to age. But the most extraordinary story of all is the one her grandfather never told her, the one Natalia must discover for herself. One winter during the Second World War, his childhood village was snowbound, cut off even from the encroaching German invaders but haunted by another, fierce presence: a tiger who comes ever closer under cover of darkness. “These stories,” Natalia comes to understand, “run like secret rivers through all the other stories” of her grandfather’s life. And it is ultimately within these rich, luminous narratives that she will find the answer she is looking for.
An international sensation, this hilarious, feel-good novel is narrated by an oddly charming and socially challenged genetics professor on an unusual quest: to find out if he is capable of true love.
Don Tillman, professor of genetics, has never been on a second date. He is a man who can count all his friends on the fingers of one hand, whose lifelong difficulty with social rituals has convinced him that he is simply not wired for romance. So when an acquaintance informs him that he would make a “wonderful” husband, his first reaction is shock. Yet he must concede to the statistical probability that there is someone for everyone, and he embarks upon The Wife Project. In the orderly, evidence-based manner with which he approaches all things, Don sets out to find the perfect partner. She will be punctual and logical—most definitely not a barmaid, a smoker, a drinker, or a late-arriver.
Yet Rosie Jarman is all these things. She is also beguiling, fiery, intelligent—and on a quest of her own. She is looking for her biological father, a search that a certain DNA expert might be able to help her with. Don’s Wife Project takes a back burner to the Father Project and an unlikely relationship blooms, forcing the scientifically minded geneticist to confront the spontaneous whirlwind that is Rosie—and the realization that love is not always what looks good on paper.
The Rosie Project is a moving and hilarious novel for anyone who has ever tenaciously gone after life or love in the face of overwhelming challenges.