Only four books coming out today that peak my interest. I really like the sound of The Merry Spinster, a collection of dark fairytale adaptions. I enjoy retellings but to be fair fairytales were originally pretty dark, it will be interesting to see what Ortberg does with the stories.
Anatomy of a Miracle
Rendered paraplegic after a traumatic event four years ago, Cameron Harris has been living his new existence alongside his sister, Tanya, in their battered Biloxi, Mississippi neighborhood where only half the houses made it through Katrina. One stiflingly hot August afternoon, as Cameron sits waiting for Tanya during their daily run to the Biz-E-Bee convenience store, he suddenly and inexplicably rises up and out of his wheelchair.
In the aftermath of this “miracle,” Cameron finds himself a celebrity at the center of a contentious debate about what’s taken place. And when scientists, journalists, and a Vatican investigator start digging, Cameron’s deepest secrets–the key to his injury, to his identity, and, in some eyes, to the nature of his recovery–become increasingly endangered. Was Cameron’s recovery a genuine miracle, or a medical breakthrough? And, finding himself transformed into a symbol, how can he hope to retain his humanity?
Brilliantly written as closely observed journalistic reportage and filtered through a wide lens that encompasses the vibrant characters affected by Cameron’s story, Anatomy of a Miracle will be read, championed, and celebrated as a powerful story of our time, and the work of a true literary master.
Sometimes I Lie
1. I’m in a coma.
2. My husband doesn’t love me anymore.
3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it’s the truth?
Set in a post-apocalyptic world as unique and vividly imagined as those of Mad Max and The Girl with All the Gifts, a startling and timely debut that explores what it is to be human and what it truly means to be connected in the digital age.
IT MAKES US. IT DESTROYS US. NOW WE MUST LEARN TO LIVE WITHOUT IT.
The Feed is accessible everywhere, by everyone, at any time. It instantaneously links us to all information and global events as they break. Every interaction, every emotion, every image can be shared through it; it is the essential tool everyone relies on to know and understand the thoughts and feelings of partners, parents, friends, children, colleagues, bosses, employees . . . in fact, of anyone and everyone else in the world.
Tom and Kate use the Feed, but Tom has resisted its addiction, which makes him suspect to his family. After all, his father created it. But that opposition to constant connection serves Tom and Kate well when the Feed collapses after a horrific tragedy shatters the world as they know it.
The Feed’s collapse, taking modern society with it, leaves people scavenging to survive. Finding food is truly a matter of life and death. Minor ailments, previously treatable, now kill. And while the collapse has demolished the trappings of the modern world, it has also eroded trust. In a world where survival of the fittest is a way of life, there is no one to depend upon except yourself . . . and maybe even that is no longer true.
Tom and Kate have managed to protect themselves and their family. But then their six-year-old daughter, Bea, goes missing. Who has taken her? How do you begin to look for someone in a world without technology? And what happens when you can no longer even be certain that the people you love are really who they claim to be?
The Merry Spinster: Tales of Everyday Horror
Readers of The Toast will instantly recognize Ortberg’s boisterous good humor and uber-nerd swagger: those new to Ortberg’s oeuvre will delight in her unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.
Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.
Bed time will never be the same.
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